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1 synthesize
∎ the hormone synthesized by this gland l'hormone synthétisée par cette glande(b) (amalgamate, fuse) synthétiser -
2 Bosch, Carl
SUBJECT AREA: Chemical technology[br]b. 27 August 1874 Cologne, Germanyd. 26 April 1940 Heidelberg, Germany[br]German industrial chemist who developed the industrial synthesis of ammonia.[br]Bosch spent a year as a metalworker before studying chemistry at Leipzig University, obtaining his doctorate in 1898. The following year, he entered Badische Soda-, Anilin Fabrik (BASF), the leading German manufacturer of dyestuflfs. Between 1902 and 1907 he spent much time investigating processes for nitrogen fixation. In 1908 Fritz Haber told BASF of his laboratory-scale synthesis of ammonia from its constituent elements, and in the following year Bosch was assigned to developing it to the industrial scale. Leading a large team of chemists and engineers, Bosch designed the massive pressure converter and other features of the process and was the first to use the water gas shift reaction to produce the large quantities of hydrogen that were required. By 1913 Bosch had completed the largest chemical engineering plant at BASF's works at Oppau, and soon it was producing 36,000 tons of ammonium sulphate a year. Bosch enlarged the Oppau plant and went on to construct a larger plant at Leuna.In 1914 Bosch was appointed a Director of BASF. At the end of the First World War he became Technical Adviser to the German delegation at the peace conference. During the 1920s BASF returned to its position of pre-eminence in high-pressure technology, thanks largely to Bosch's leadership. Although increasingly absorbed in administrative matters, Bosch was able to support the synthesis of methane and the hydrogenation of coal tar and lignite to make petrol. In 1925 BASF merged with other companies to form the giant IG Farbenindustrie AG, of which Bosch became Chairman of the Managing Board. His achievements received international recognition in 1931 when he was awarded, with F. Bergius, the Nobel Prize in Chemistry for high-pressure synthesis.[br]Bibliography1932, Über die Entwicklung der chemischen Hochdruckindustrie bei der Aufbau der neuen Ammoniakindustrie.Further ReadingK.Holdermann, 1953, Carl Bosch, Leben und Werk.See also biographical memoir in Chemische Berichte 190 (1957), pp. xix–xxxix.LRD -
3 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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4 Haber, Fritz
SUBJECT AREA: Chemical technology[br]b. 9 December 1868 Breslau, Germany (now Wroclaw, Poland)d. 29 January 1934 Basel, Switzerland[br]German chemist, inventor of the process for the synthesis of ammonia.[br]Haber's father was a manufacturer of dyestuffs, so he studied organic chemistry at Berlin and Heidelberg universities to equip him to enter his father's firm. But his interest turned to physical chemistry and remained there throughout his life. He became Assistant at the Technische Hochschule in Karlsruhe in 1894; his first work there was on pyrolysis and electrochemistry, and he published his Grundrisse der technischen Electrochemie in 1898. Haber became famous for thorough and illuminating theoretical studies in areas of growing practical importance. He rose through the academic ranks and was appointed a full professor in 1906. In 1912 he was also appointed Director of the Institute of Physical Chemistry and Electrochemistry at Dahlem, outside Berlin.Early in the twentieth century Haber invented a process for the synthesis of ammonia. The English chemist and physicist Sir William Crookes (1832–1919) had warned of the danger of mass hunger because the deposits of Chilean nitrate were becoming exhausted and nitrogenous fertilizers would not suffice for the world's growing population. A solution lay in the use of the nitrogen in the air, and the efforts of chemists centred on ways of converting it to usable nitrate. Haber was aware of contemporary work on the fixation of nitrogen by the cyanamide and arc processes, but in 1904 he turned to the study of ammonia formation from its elements, nitrogen and hydrogen. During 1907–9 Haber found that the yield of ammonia reached an industrially viable level if the reaction took place under a pressure of 150–200 atmospheres and a temperature of 600°C (1,112° F) in the presence of a suitable catalyst—first osmium, later uranium. He devised an apparatus in which a mixture of the gases was pumped through a converter, in which the ammonia formed was withdrawn while the unchanged gases were recirculated. By 1913, Haber's collaborator, Carl Bosch had succeeded in raising this laboratory process to the industrial scale. It was the first successful high-pressure industrial chemical process, and solved the nitrogen problem. The outbreak of the First World War directed the work of the institute in Dahlem to military purposes, and Haber was placed in charge of chemical warfare. In this capacity, he developed poisonous gases as well as the means of defence against them, such as gas masks. The synthetic-ammonia process was diverted to produce nitric acid for explosives. The great benefits and achievement of the Haber-Bosch process were recognized by the award in 1919 of the Nobel Prize in Chemistry, but on account of Haber's association with chemical warfare, British, French and American scientists denounced the award; this only added to the sense of bitterness he already felt at his country's defeat in the war. He concentrated on the theoretical studies for which he was renowned, in particular on pyrolysis and autoxidation, and both the Karlsruhe and the Dahlem laboratories became international centres for discussion and research in physical chemistry.With the Nazi takeover in 1933, Haber found that, as a Jew, he was relegated to second-class status. He did not see why he should appoint staff on account of their grandmothers instead of their ability, so he resigned his posts and went into exile. For some months he accepted hospitality in Cambridge, but he was on his way to a new post in what is now Israel when he died suddenly in Basel, Switzerland.[br]Bibliography1898, Grundrisse der technischen Electrochemie.1927, Aus Leben und Beruf.Further ReadingJ.E.Coates, 1939, "The Haber Memorial Lecture", Journal of the Chemical Society: 1,642–72.M.Goran, 1967, The Story of Fritz Haber, Norman, OK: University of Oklahoma Press (includes a complete list of Haber's works).LRD -
5 voice
vois
1. noun1) (the sounds from the mouth made in speaking or singing: He has a very deep voice; He spoke in a quiet/loud/angry/kind voice.) voz2) (the voice regarded as the means of expressing opinion: The voice of the people should not be ignored; the voice of reason/conscience.) voz
2. verb1) (to express (feelings etc): He voiced the discontent of the whole group.) expresar2) (to produce the sound of (especially a consonant) with a vibration of the vocal cords as well as with the breath: `Th' should be voiced in `this' but not in `think'.) sonorizar•- voiced- voiceless
- voice mail
- be in good voice
- lose one's voice
- raise one's voice
voice n voztr[vɔɪs]1 voz nombre femenino■ to have a hoarse/weak voice tener la voz ronca/apagada■ she has a high/low voice tiene la voz aguda/grave1 expresar2 SMALLLINGUISTICS/SMALL sonorizar\SMALLIDIOMATIC EXPRESSION/SMALLat the top of one's voice a voz en gritoin a loud voice en voz altain a low/soft voice en voz baja, a media vozthe voice of experience la voz de la experienciathe voice of reason la voz de la razónto be in voice estar en vozto give voice to one's feelings expresar sus sentimientosto lose one's voice quedarse afónico,-a, quedarse sin vozto lower/raise one's voice bajar/levantar la vozwith one voice de una voz, a una, a corovoice box laringe nombre femeninovoice n1) : voz fin a low voice: en voz bajato lose one's voice: quedarse sin vozthe voice of the people: la voz del pueblo2)to make one's voice heard : hacerse oírv.• expresar v.• hacerse eco de v.• sonorizar v.n.• pecho s.m.• voz s.f.
I vɔɪs1) c ua) (sound, faculty) voz fto hear voices — oír* voces
in a low/loud voice — en voz baja/alta
to lose one's voice — quedarse afónico or sin voz
to raise/lower one's voice — levantar/bajar la voz
b) ( Mus) voz f2)a) ( opinion) (no pl) voz fto have no voice in something — no tener* voz en algo
to be of one voice — ser* de la misma opinión
b) u (instrument, agency) portavoz m, voz factive/passive voice — voz activa/pasiva
II
transitive verb \<\<opinion/concern/anger\>\> expresar[vɔɪs]1. N1) (=sound, faculty of speech) voz fman's/woman's voice — voz de hombre/mujer
if you carry on shouting, you won't have any voice left — si sigues gritando te vas a quedar afónica or sin voz
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he added his voice to opposition critics — unió su voz a las críticas de la oposición•
to find one's voice — (lit) recuperar el habla; (fig) encontrar su medio de expresión•
to give voice to sth — frm dar expresión a algo•
to hear voices — oír voces•
in a deep voice — en tono gravein a loud/low voice — en voz alta/baja
•
a voice inside me — una voz en mi interiorkeep your voice down! — ¡no levantes la voz!
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to lose one's voice — quedarse afónico or sin voz•
to lower one's voice — bajar la voz•
to raise one's voice — alzar or levantar la voz•
at the top of one's voice — a voz en grito, a voz en cuellohe yelled at the top of his voice — gritó con todas sus fuerzas or a voz en cuello
- speak with one voicethrow, toneto like the sound of one's own voice —
2) (Mus) voz fshe has a beautiful (singing) voice — tiene una voz preciosa (para el canto), canta muy bien
bass/contralto/soprano/tenor voice — voz f de bajo/contralto/soprano/tenor
3) (=opinion) voz fthe voice of the people/nation — la voz del pueblo/de la nación
to have a/no voice in the matter — tener/no tener voz en el asunto
she is a respected voice in the women's movement — es una voz respetada dentro del movimiento feminista
4) (=spokesperson) portavoz mf5) (Phon) sonoridad f6) (Gram)active/passive voice — voz f activa/pasiva
in the active/passive voice — en (voz) activa/pasiva
2. VT1) [+ opinion, feelings, concern, support] expresarhe felt obliged to voice his opposition to the war — se sintió obligado a expresar su oposición a la guerra
2) (Phon) [+ consonant] sonorizar3) (Mus) [+ wind instrument] templar3.CPDvoice mail N — (Telec) buzón m de voz
voice part N — (Mus) parte f cantable
voice production N — producción f de voz
voice range N — registro m de voz
voice recognition N — reconocimiento m de la voz
voice synthesis N — síntesis f de voz
voice synthesizer N — sintetizador m de voz
voice training N — educación f de la voz
voice vote N — (US) (Pol) voto m oral
* * *
I [vɔɪs]1) c ua) (sound, faculty) voz fto hear voices — oír* voces
in a low/loud voice — en voz baja/alta
to lose one's voice — quedarse afónico or sin voz
to raise/lower one's voice — levantar/bajar la voz
b) ( Mus) voz f2)a) ( opinion) (no pl) voz fto have no voice in something — no tener* voz en algo
to be of one voice — ser* de la misma opinión
b) u (instrument, agency) portavoz m, voz factive/passive voice — voz activa/pasiva
II
transitive verb \<\<opinion/concern/anger\>\> expresar -
6 Maxwell, James Clerk
[br]b. 13 June 1831 Edinburgh, Scotlandd. 5 November 1879 Cambridge, England[br]Scottish physicist who formulated the unified theory of electromagnetism, the kinetic theory of gases and a theory of colour.[br]Maxwell attended school at the Edinburgh Academy and at the age of 16 went on to study at Edinburgh University. In 1850 he entered Trinity College, Cambridge, where he graduated four years later as Second Wrangler with the award of the Smith's Prize. Two years later he was appointed Professor at Marischal College, Aberdeen, where he married the Principal's daughter. In 1860 he moved to King's College London, but on the death of his father five years later, Maxwell returned to the family home in Scotland, where he continued his researches as far as the life of a gentleman farmer allowed. This rural existence was interrupted in 1874 when he was persuaded to accept the chair of Cavendish Professor of Experimental Physics at Cambridge. Unfortunately, in 1879 he contracted the cancer that brought his brilliant career to an untimely end. While at Cambridge, Maxwell founded the Cavendish Laboratory for research in physics. A succession of distinguished physicists headed the laboratory, making it one of the world's great centres for notable discoveries in physics.During the mid-1850s, Maxwell worked towards a theory to explain electrical and magnetic phenomena in mathematical terms, culminating in 1864 with the formulation of the fundamental equations of electromagnetism (Maxwell's equations). These equations also described the propagation of light, for he had shown that light consists of transverse electromagnetic waves in a hypothetical medium, the "ether". This great synthesis of theories uniting a wide range of phenomena is worthy to set beside those of Sir Isaac Newton and Einstein. Like all such syntheses, it led on to further discoveries. Maxwell himself had suggested that light represented only a small part of the spectrum of electromagnetic waves, and in 1888 Hertz confirmed the discovery of another small part of the spectrum, radio waves, with momentous implications for the development of telecommunication technology. Maxwell contributed to the kinetic theory of gases, which by then were viewed as consisting of a mass of randomly moving molecules colliding with each other and with the walls of the containing vessel. From 1869 Maxwell applied statistical methods to describe the molecular motion in mathematical terms. This led to a greater understanding of the behaviour of gases, with important consequences for the chemical industry.Of more direct technological application was Maxwell's work on colour vision, begun in 1849, showing that all colours could be derived from the three primary colours, red, yellow and blue. This enabled him in 1861 to produce the first colour photograph, of a tartan. Maxwell's discoveries about colour vision were quickly taken up and led to the development of colour printing and photography.[br]BibliographyMost of his technical papers are reprinted in The Scientific Papers of J.Clerk Maxwell, 1890, ed. W.D.Niven, Cambridge, 2 vols; reprinted 1952, New York.Maxwell published several books, including Theory of Heat, 1870, London (1894, 11th edn, with notes by Lord Rayleigh) and Theory of Electricity and Magnetism, 1873, Oxford (1891, ed. J.J.Thomson, 3rd edn).Further ReadingL.Campbell and W.Garnett, 1882, The Life of James Clerk Maxwell, London (the standard biography).J.J.Thomson (ed.), 1931, James Clerk Maxwell 1831–1931, Cambridge. J.G.Crowther, 1932, British Scientists of the Nineteenth Century, London.LRD -
7 automation technologies
технологии для автоматизации
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[Интент]Параллельные тексты EN-RU
Automation technologies: a strong focal point for our R&D
Технологии для автоматизации - одна из главных тем наших научно исследовательских разработок
Automation is an area of ABB’s business with an extremely high level of technological innovation.
Автоматика относится к одной из областей деятельности компании АББ, для которой характерен исключительно высокий уровень технических инноваций.
In fact, it may be seen as a showcase for exhibiting the frontiers of development in several of today’s emerging technologies, like short-range wireless communication and microelectromechanical systems (MEMS).
В определенном смысле ее можно уподобить витрине, в которой выставлены передовые разработки из области только еще зарождающихся технологий, примерами которых являются ближняя беспроводная связь и микроэлектромеханические системы (micro electromechanical systems MEMS).
Mechatronics – the synthesis of mechanics and electronics – is another very exciting and rapidly developing area, and the foundation on which ABB has built its highly successful, fast-growing robotics business.
Еще одной исключительно интересной быстро развивающейся областью и в то же время фундаментом, на котором АББ в последнее время строит свой исключительно успешный и быстро расширяющийся бизнес в области робототехники, является мехатроника - синтез механики с электроникой.
Robotic precision has now reached the levels we have come to expect of the watch-making industry, while robots’ mechanical capabilities continue to improve significantly.
Точность работы робототехнических устройств достигла сегодня уровней, которые мы привыкли ожидать только на предприятиях часовой промышленности. Большими темпами продолжают расти и механические возможности роботов.
Behind the scenes, highly sophisticated electronics and software control every move these robots make.
А за кулисами всеми перемещениями робота управляют сложные электронные устройства и компьютерные программы.
Throughout industry today we see a major shift of ‘intelligence’ to lower levels in the automation system hierarchy, leading to a demand for more communication within the system.
Во всех отраслях промышленности сегодня наблюдается интенсивный перенос "интеллекта" на нижние уровни иерархии автоматизированных систем, что требует дальнейшего развития внутрисистемных средств обмена.
‘Smart’ transmitters, with powerful microprocessors, memory chips and special software, carry out vital operations close to the processes they are monitoring.
"Интеллектуальные" датчики, снабженные высокопроизводительными микропроцессорами, мощными чипами памяти и специальным программно-математическим обеспечением, выполняют особо ответственные операции в непосредственной близости от контролируемых процессов.
And they capture and store data crucial for remote diagnostics and maintenance.
Они же обеспечивают возможность измерения и регистрации информации, крайне необходимой для дистанционной диагностики и дистанционного обслуживания техники.
The communication highway linking such systems is provided by fieldbuses.
В качестве коммуникационных магистралей, связывающих такого рода системы, служат промышленные шины fieldbus.
In an ideal world there would be no more than a few, preferably just one, fieldbus standard.
В идеале на промышленные шины должно было бы существовать небольшое количество, а лучше всего вообще только один стандарт.
However, there are still too many of them, so ABB has developed ‘fieldbus plugs’ that, with the help of translation, enable devices to communicate across different standards.
К сожалению, на деле количество их типов продолжает оставаться слишком разнообразным. Ввиду этой особенности рынка промышленных шин компанией АББ разработаны "штепсельные разъемы", которые с помощью средств преобразования обеспечивают общение различных устройств вопреки границам, возникшим из-за различий в стандартах.
This makes life easier as well as less costly for our customers. Every automation system is dependent on an electrical network for distributing – and interrupting, when necessary – the power needed to carry out its various functions.
Это, безусловно, не только облегчает, но и удешевляет жизнь нашим заказчикам. Ни одна система автоматики не может работать без сети, обеспечивающей подачу, а при необходимости и отключение напряжения, необходимого для выполнения автоматикой своих задач.
Here, too, we see a clear trend toward more intelligence and communication, for example in traditional electromechanical devices such as contactors and switches.
И здесь наблюдаются отчетливо выраженные тенденции к повышению уровня интеллектуальности и расширению возможностей связи, например, в таких традиционных электромеханических устройствах, как контакторы и выключатели.
We are pleased to see that our R&D efforts in these areas over the past few years are bearing fruit.
Мы с удовлетворением отмечаем, что научно-исследовательские разработки, выполненные нами за последние годы в названных областях, начинают приносить свои плоды.
Recently, we have seen a strong increase in the use of wireless technology in industry.
В последнее время на промышленных предприятиях наблюдается резкое расширение применения техники беспроводной связи.
This is a key R&D area at ABB, and several prototype applications have already been developed.
В компании АББ эта область также относится к числу одной из ключевых тем научно-исследовательских разработок, результатом которых стало создание ряда опытных образцов изделий практического направления.
At the international Bluetooth Conference in Amsterdam in June 2002, we presented a truly ‘wire-less’ proximity sensor – with even a wireless power supply.
На международной конференции по системам Bluetooth, состоявшейся в Амстердаме в июне 2002 г., наши специалисты выступили с докладом о поистине "беспроводном" датчике ближней локации, снабженном опять-таки "беспроводным" источником питания.
This was its second major showing after the launch at the Hanover Fair.
На столь крупном мероприятии это устройство демонстрировалось во второй раз после своего первого показа на Ганноверской торгово-промышленной ярмарке.
Advances in microelectronic device technology are also having a profound impact on the power electronics systems around which modern drive systems are built.
Достижения в области микроэлектроники оказывают также глубокое влияние на системы силовой электроники, лежащие в основе современных приводных устройств.
The ABB drive family ACS 800 is visible proof of this.
Наглядным тому доказательством может служить линейка блоков регулирования частоты вращения электродвигателей ACS-800, производство которой начато компанией АББ.
Combining advanced trench gate IGBT technology with efficient cooling and innovative design, this drive – for motors rated from 1.1 to 500 kW – has a footprint for some power ranges which is six times smaller than competing systems.
Предназначены они для двигателей мощностью от 1,1 до 500 кВт. В блоках применена новейшая разновидность приборов - биполярные транзисторы с изолированным желобковым затвором (trench gate IGBT) в сочетании с новыми конструктивными решениями, благодаря чему в отдельных диапазонах мощностей габариты блоков удалось снизить по сравнению с конкурирующими изделиями в шесть раз.
To get the maximum benefit out of this innovative drive solution we have also developed a new permanent magnet motor.
Стремясь с максимальной пользой использовать новые блоки регулирования, мы параллельно с ними разработали новый двигатель с постоянными магнитами.
It uses neodymium iron boron, a magnetic material which is more powerful at room temperature than any other known today.
В нем применен новый магнитный материал на основе неодима, железа и бора, характеристики которого при комнатной температуре на сегодняшний день не имеют себе равных.
The combination of new drive and new motor reduces losses by as much as 30%, lowering energy costs and improving sustainability – both urgently necessary – at the same time.
Совместное использование нового блока регулирования частоты вращения с новым двигателем снижает потери мощности до 30 %, что позволяет решить сразу две исключительно актуальные задачи:
сократить затраты на электроэнергию и повысить уровень безотказности.These innovations are utilized most fully, and yield the maximum benefit, when integrated by means of our Industrial IT architecture.
Потенциал перечисленных выше новых разработок используется в наиболее полной степени, а сами они приносят максимальную выгоду, если их интеграция осуществлена на основе нашей архитектуры IndustrialIT.
Industrial IT is a unique platform for exploiting the full potential of information technology in industrial applications.
IndustrialIT представляет собой уникальную платформу, позволяющую в максимальной степени использовать возможности информационных технологий применительно к задачам промышленности.
Consequently, our new products and technologies are Industrial IT Enabled, meaning that they can be integrated in the Industrial IT architecture in a ‘plug and produce’ manner.
Именно поэтому все наши новые изделия и технологии выпускаются в варианте, совместимом с архитектурой IndustrialIT, что означает их способность к интеграции с этой архитектурой по принципу "подключи и производи".
We are excited to present in this issue of ABB Review some of our R&D work and a selection of achievements in such a vital area of our business as Automation.
Мы рады представить в настоящем номере "АББ ревю" некоторые из наших научно-исследовательских разработок и достижений в такой жизненно важной для нашего бизнеса области, как автоматика.
R&D investment in our corporate technology programs is the foundation on which our product and system innovation is built.
Вклад наших разработок в общекорпоративные технологические программы группы АББ служит основой для реализации новых технических решений в создаваемых нами устройствах и системах.
Examples abound in the areas of control engineering, MEMS, wireless communication, materials – and, last but not least, software technologies. Enjoy reading about them.
[ABB Review]Это подтверждается многочисленными примерами из области техники управления, микроэлектромеханических систем, ближней радиосвязи, материаловедения и не в последнюю очередь программотехники. Хотелось бы пожелать читателю получить удовольствие от чтения этих материалов.
[Перевод Интент]
Тематики
EN
Англо-русский словарь нормативно-технической терминологии > automation technologies
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